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Eminem Infinite Full Album Download Zip


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The album's production was handled primarily by Dr. Dre, the Bass Brothers, and Eminem.[17][18] The beats have been compared to West Coast hip hop and G-funk musical styles.[19] Kyle Anderson of MTV wrote that "The beats are full of bass-heavy hallucinations and create huge, scary sandboxes that allow Em to play."[17] According to the staff at IGN, "'97 Bonnie & Clyde" is backed by the "lulling serenity of a super silky groove".[15] "Cum on Everybody"; which features guest vocals from American singer Dina Rae[20] contains an upbeat dance rhythm, while "My Name Is", which is built around a sample from British musician Labi Siffre's "I Got The", features a prominent bassline and psychedelic-style keyboards.[17][15][16] "I'm Shady" was originally written over a Sade track, but after hearing a sample of Curtis Mayfield's "Pusherman" in Ice-T's song "I'm Your Pusher", Eminem decided it would be more fitting to use "Pusherman".[21]


Many reviewers commented on the album's lyrical content. Gilbert Rodman of Popular Communications states, "Eminem's music contains more than its fair share of misogynistic and homophobic lyrics, but simply to reduce it to these (as many critics do) doesn't help to explain Eminem. It merely invokes a platitude or a sound bite to explain him away."[43] Rob Sheffield of Rolling Stone enjoyed the record's comedic nature, writing "Simply put: Eminem will crack you up", but also felt that the misogynistic lyrics grow tiresome, noting that "the wife-killing jokes of "97 Bonnie and Clyde' aren't any funnier than Garth Brooks', and 'My Fault' belongs on some sorry-ass Bloodhound Gang record."[19] Nathan Rabin of The A.V. Club felt that although the album is "sophomoric and uninspired" at times, Eminem's "surreal, ultraviolent, trailer-trash/post-gangsta-rap extremism is at least a breath of fresh air in a rap world that's despairingly low on new ideas."[44] Mike Rubin of Spin noted that "his scenarios are so far-fetched the songs almost never sound as ugly as they actually are."[42] Chris Dafoe of The Globe and Mail opined that "Abused by fellow students and teachers, cheated on by his girlfriend, despised by society, Shady goes over the top now and then - or rather way over the top - but Dre's lean production, full of strange voice and comic interjections, hold things together."[45] Reviewing for The Village Voice in 1999, Robert Christgau called the record a "platinum-bound cause celebre" and, despite succumbing to "dull sensationalism" toward the end, Eminem shows "more comic genius than any pop musician since", possibly, Loudon Wainwright III."[46] 153554b96e






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